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That she does things unbecoming of her true rank only shows how well she carries out her assumed rôle; that she was not offensive or contrary to Spanish tastes of the times is proved by the fact that, although she was a Guzmán and consequently a relative of the ruling favorite, Olivares, the play did not fall under royal censure.
The disguising of a lady of the highest nobility and making her play so well the part of the lowly water-maid furnish the key to the intrigue and would not detract from the play in the eyes of the contemporary, following upon the reign of the pastoral and according as it did with the tastes of the times.
Were the leading character what her name implies a humble servant and were the other characters of her rank, the play might well be classed as a comedia de costumbres; but that it belongs to the larger class is established by the fact that the intrigue is complicated, the question of love and rank is prominent, and the characters are of the nobility.
Well may we say that he had no declining years, for he never knew rest or realized a decline of his mental faculties.
Spain has done excellent work in prose fiction during the last fifty or sixty years past, but this work is little known outside of the Spanish-speaking countries. Even those people who are, for the most part, well read in the literatures of Europe are generally ignorant of recent Spanish fiction.
El Trovador was given operatic form by the great Italian composer Giuseppi Verdi, and under its Italian title, Il Trovatore, is well known throughout the world.
We find a good example of these different elements in La Moza de Cántaro in the three sonnets of Act II, Scene III, of which the first is in the sonorous, high-sounding, oratorical style, the second, in the elegant conceits so common in Italian literature of the period, and the third in the language of every-day life. Each is well suited to the occasion and to the rôle of the speaker.
Unlike Shakespeare, whose rare good fortune it was to establish a language as well as found a national drama, Lope de Vega took up a language which had been in use and which had served as a medium of literary expression many centuries before he was born, and with it established the Spanish drama. Here again Lope conformed to common usage.
En el futuro, me parece que el uso del internet desempeñará un papel más importante en las actividades pedagógicas. Nuestra organización trabaja en estrecha colaboración con el WELL, que se dedica a estos temas."
Seleccionados y analizados por expertos, estos recursos están disponibles en el sitio web del WELL y se complementan con información y ejemplos sobre la manera de utilizarlos para la enseñanza o el aprendizaje de un idioma.
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