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Hidétada, the son and successor of Iyéyasu, together with Iyénobu, Iyétsugu, Iyéshigé, Iyéyoshi, and Iyémochi, the sixth, seventh, ninth, twelfth, and fourteenth Shoguns of the Tokugawa dynasty, are buried in three shrines attached to the temple; the remainder, with the exception of Iyémitsu, the third Shogun, who lies with his grandfather at Nikkô, are buried at Uyéno.
They were buried in this place; and I believe that this is the last instance on record of the ancient Japanese custom of Junshi, that is to say, "dying with the master." At Uyéno is the second of the burial-grounds of the Shoguns.
The temples in Yedo are not to be compared in point of beauty with those in and about Peking; what is marble there is wood here. Still they are very handsome, and in the days of its magnificence the Temple of Uyéno was one of the finest.
That same box contains their portraits, their photographs stuck on visiting cards, which are printed on the back with the name of Uyeno, the fashionable photographer in Nagasaki, little creatures fit only to figure daintily on painted fans, and who have striven to assume a dignified attitude when once their necks have been placed in the head-rest and they have been told: "Now don't move!"
That same box contains their portraits, their photographs stuck on visiting cards, which are printed on the back with the name of Uyeno, the fashionable photographer in Nagasaki the little creatures fit only to figure daintily on painted fans, who have striven to assume a dignified attitude when once their necks have been placed in the head-rest, and they have been told: "Now, don't move."
That same box contains their portraits, their photographs stuck on visiting cards, which are printed on the back with the name of Uyeno, the fashionable photographer in Nagasaki the little creatures fit only to figure daintily on painted fans, who have striven to assume a dignified attitude when once their necks have been placed in the head-rest, and they have been told: "Now, don't move."
Alas! the main temple, the hall in honour of the sect to which it belongs, the hall of services, the bell-tower, the entrance-hall, and the residence of the prince of the blood, were all burnt down in the battle of Uyéno, in the summer of 1868, when the Shogun's men made their last stand in Yedo against the troops of the Mikado.
Red-faced maids stared at the foreigners from the balconies of lofty inns and eating-houses near Uyeno station. Further on, they passed the silence of old temple walls, the spaciousness of pigeon-haunted cloisters, and the huge high-pitched roofs of the shrines, with their twisted horn-like points. Then, down a narrow alley appeared the garish banners of the Asakusa theatres and cinema palaces.
Many a time did the apprentices of Chôbei meet together to avenge him; but Jiurozayémon eluded all their efforts, until, having been imprisoned by the Government in the temple called Kanyeiji, at Uyéno, as is related in the story of "Kazuma's Revenge," he was placed beyond the reach of their hatred. So lived and so died Chôbei of Bandzuin, the Father of the Otokodaté of Yedo.
The Shoguns who are interred at Uyéno are Iyétsuna, Tsunayoshi, Yoshimuné, Iyéharu, Iyénori, and Iyésada, the fourth, fifth, eighth, tenth, eleventh, and thirteenth Princes of the Line. Besides them, are buried five wives of the Shoguns, and the father of the eleventh Shogun.
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