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These include the four Canopic jars, in which the internal organs were deposited, the Ushabti figures, tomb provisions and various articles that had belonged to the deceased; his favourite chair, his head-rest, his ink-palette, inscribed with his name and the name of the king, Osorkon I, in whose reign he lived, and other smaller articles. Presented by John Bellingham, Esq."

An Italian woman once asked me, "The American children what do they employ as toys?" I could only reply, "Almost anything; almost everything!" When we are furthest from seeing the toy possibilities of a thing, they see it. I have among my treasures a libation cup and a ushabti figurine votive offerings from the Temple of Osiris, at Abydos.

These include the four Canopic jars, in which the internal organs were deposited, the Ushabti figures, tomb provisions and various articles that had belonged to the deceased; his favorite chair, his head-rest, his ink-palette, inscribed with his name and the name of the king, Osorkon I, in whose reign he lived, and other smaller articles. Presented by John Bellingham, Esq."

You notice that the Ushabti figures and the heads that form the stoppers of the Canopic jars are quite finely modeled. The mummy itself, too, is rather handsome, though that coat of bitumen on the back doesn't improve it. But Sebek-hotep must have been a fine-looking man." "The mask on the face is a portrait, I suppose?" "Yes; in fact, it's rather more.

But the contrasts of which I have spoken were most singular and puzzling. There were the bookshelves, for instance, home-made and stained at the cost of a few pence, but filled with recent and costly works on archaeology and ancient art. There were the objects on the mantelpiece: a facsimile in bronze not bronzed plaster of the beautiful head of Hypnos and a pair of fine Ushabti figures.

"The little Ushabti figures," she answered; "they were the attendants of the dead, you know, his servants in the under-world. It was a quaint idea, wasn't it? But it was all very complete and consistent, and quite reasonable, too, if once one accepts the belief in the persistence of the individual apart from the body."

He spent a happy hour playing with the libation cup and the ushabti trophies of one of the most remarkable explorations of our era. I did not tell him what they were. He knew concerning them all he needed to know that they could be "employed as toys." Perhaps the very tiniest of the "old Egyptian boys" had known only this, too.

You notice that the Ushabti figures and the heads that form the stoppers of the Canopic jars are quite finely modelled. The mummy itself, too, is rather handsome, though that coat of bitumen on the back doesn't improve it. But Sebek-hotep must have been a fine-looking man." "The mask on the case is a portrait, I suppose?" "Yes; in fact, it is rather more.

But the contrasts of which I have spoken were most singular and puzzling. There were the bookshelves, for instance, home made and stained at the cost of a few pence, but filled with recent and costly new works on archeology and ancient art. There were the objects on the mantelpiece: a facsimile in bronze not bronze plaster of the beautiful head of Hypnos and a pair of fine Ushabti figures.

"The little Ushabti figures," she answered; "they were the attendants of the dead, you know, his servants in the under-world. It was a quaint idea, wasn't it? But it was all very complete and consistent, and quite reasonable, too, if one once accepts the belief in the persistence of the individual apart from the body."