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Updated: May 16, 2025
The wooden statue of the Magdalen in Santa Trinit
The Pincian hill has always been the favourite home of artists of all kinds, and many lived at one time or another in the little villas that once stood there, and in the houses in the Via Sistina and southward, and up towards the Porta Pinciana. Guido Reni, the Caracci, Salvator Rosa, Poussin, Claude Lorrain, have all left the place the association of their presence, and the Zuccheri brothers built themselves the house which still bears their name, just below the one at the corner of the Trinit
And because he took much pleasure in matters of architecture, he made for the citizens of that country a number of designs of buildings and adornments for their city, such as the two doors of S. Rocco in stone, and the ornament of grey-stone that was added to the panel-picture of Maestro Luca in S. Girolamo; and he designed an ornament in the Abbey of Cipriano d' Anghiari, and another for the Company of the Trinit
To sum up this question of Michelangelo's authentic portraits: I repeat that Bonasoni's engraving represents him at the age of seventy; Leoni's wax model and medallions at eighty; the eight bronze heads, derived from Daniele's model, at the epoch of his death. In painting, Marco Venusti and Daniele da Volterra helped to establish a traditional type by two episodical likenesses, the one worked into Venusti's copy of the Last Judgment (at Naples), the other into Volterra's original picture of the Assumption (at Trinit
The Revolution of 1793 somewhat disturbed this agreeable order of things; but it was a mere storm between two fine summer days. Neither the Roman aristocracy, nor its constant troop of guests, took this brutal overthrow of their elegant pleasures in earnest. The exile of the Pope, the French occupation, and many similar accidents, were supported with a noble resignation, and forgotten with the readiness of good taste. 1815 passed a sponge over some years of very foul history. All the inscriptions which recalled the glory or the beneficence of France were conscientiously erased. It was even proposed to do away with the lighting of the streets, not only because they threw too strong a light upon certain nocturnal matters, but because they dated from the time of Miollis and De Tournon. Even now, in 1859, the fleur-de-lis points out what is French property. A marble table in the church of San Luigi dei Francesi promises indulgence to those who will pray for the king of France. The French convent of the Trinit
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