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Updated: June 5, 2025


The inscription on a cartellino at the base of the picture, "Ritratto di uno di Casa Pesaro in Venetia che fu fatto generale di Sta chiesa. Titiano fecit," is unquestionably of much later date than the work itself. The cartellino is entirely out of perspective with the marble floor to which it is supposed to adhere.

The part of the background showing the galleys of Pesaro's fleet is so coarsely repainted that the original touch cannot be distinguished. The form "Titiano" is not to be found in any authentic picture by Vecelli. "Ticianus," and much more rarely "Tician," are the forms for the earlier time; "Titianus" is, as a rule, that of the later time.

"When the great Titian painted the first picture one Love only existed, while at the second representation a second Love had arrived for the beautiful woman, to her own ineffable delight and that of her beloved Master Titiano Vecellio." "Pardon, your excellency," remarked Master Gabriel, "indeed the painting represents a Venus."

I bought this picture at Cremona for two thousand ducats, and I vow and swear upon my conscience and by all that I hold sacred that this painting, which I have sold to the count for an original painting, is actually an original painting by Titiano Vecellio's own hand." "Now, master, why do you hesitate? Why do you not write?" "Oh, sir, have some pity upon me!" groaned the painter.

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