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Updated: May 23, 2025
Now, in neither of these two acts is there anything but affirmation. The sui generis character of negation is due to superimposing the first of these acts upon the second. It is in vain, then, that we attribute to negation the power of creating ideas sui generis, symmetrical with those that affirmation creates, and directed in a contrary sense.
"His optique was more in his brain than in his eye." He lacked imagination absolutely, and worked slowly, laboriously, his method one of excessive complication. He began with a shadow, then a touch, superimposing tone upon tone, modelling his paint somewhat like Monticelli, but without a hint of that artist's lyricism.
While building up a centralized State such as the legists of the Renaissance conceived it, a State independent of local institutions and possessing a distinct life apart from the people and above them, he endeavoured, as much as possible, to respect local privileges, superimposing modern institutions on mediæval ones and preserving, if not wholly, at least formally, the rights of each province and town.
He may get so used to it that he does it automatically and his signatures may come pretty close to superimposing. If I had time, though, I think I could demonstrate that there are altogether too many points of similarity for these to be genuine signatures.
He may get so used to it that he does it automatically and his signatures may come pretty close to superimposing. If I had time, though, I think I could demonstrate that there are altogether too many points of similarity for these to be genuine signatures.
It was like watching a screen upon which many and diverse films were superimposing scenes in which he was an actor of more or less consequence, but in which his figure was always blurred. It was confounding. Yet he had certainly gone out to that country place Sunday for tea and things, taking Nap. And the flapper, with a sinful pride, had shown him off to the family.
Overshadowed by the tall trees which stood close around it, an 'ornamental water' had been constructed by Swann's parents but, even in his most artificial creations, nature is the material upon which man has to work; certain spots will persist in remaining surrounded by the vassals of their own especial sovereignty, and will raise their immemorial standards among all the 'laid-out' scenery of a park, just as they would have done far from any human interference, in a solitude which must everywhere return to engulf them, springing up out of the necessities of their exposed position, and superimposing itself upon the work of man's hands.
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