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Updated: April 30, 2025


They have confused the meaning of the syllables with that of the letters, and while they have unnecessarily given us two sets of symbols for the keys of the piano, they have left none for the chords of the scales; so that Ut and C are always the same for them; this is not and ought not to be; if so, what is the use of C? Their method of sol-faing is, therefore, extremely and needlessly difficult, neither does it give any clear idea to the mind; since, by this method, Ut and Me, for example, may mean either a major third, a minor third, an augmented third, or a diminished third.

In this way he will understand what you mean, and the essential relations for correct singing and playing will always be present in his mind; his execution will be better and his progress quicker. There is nothing funnier than what the French call "natural sol-faing;" it consists in removing the real meaning of things and putting in their place other meanings which only distract us.

There is nothing more natural than sol-faing by transposition, when the scale is transposed. But I have said enough, and more than enough, about music; teach it as you please, so long as it is nothing but play. We are now thoroughly acquainted with the condition of foreign bodies in relation to our own, their weight, form, colour, density, size, distance, temperature, stability, or motion.

A simple, tuneful air, always based on the common chords of the key, with its bass so clearly indicated that it is easily felt and accompanied, for to train his voice and ear he should always sing with the harpsichord. We articulate the notes we sing the better to distinguish them; hence the custom of sol-faing with certain syllables.

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