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Updated: May 25, 2025
It is a fortunate circumstance that Sen-mut and Rekh-ma-ra should have caused them to be portrayed when they did, for in two or three generations more the glory of Knossos had passed away, never to be revived.
But these two great obelisks of Queen Hatshepsut were 98-1/2 feet high, and weighed about 350 tons apiece. Yet Sen-mut had them quarried, and set up, and carved all over from base to summit in seven months from the time when the Queen gave her command!
So she gave the command, and Sen-mut, her clever architect, went up the Nile to Aswan, and quarried two huge granite blocks, and floated them down the river. Cleopatra's Needle, which stands on the Thames Embankment, is 68-1/2 feet high, and it seems to us a huge stone for men to handle. Our own engineers had trouble enough in bringing it to this country, and setting it up.
We do not know the names of the artists who did the work, though we know that of the architect, Sen-mut, who planned the building. But, whoever they were, they must have been very skilful sculptors; for the story of the voyage is told in pictures on the walls of this wonderful temple, so that everything can be seen just as it actually happened more than three thousand years ago.
An exploring fleet had been sent by her to Punt, the land of frankincense, and it returned home with rarities of all kinds, including apes and giraffes. The history of the expedition and the treasures it brought back were depicted on the walls of the temple built by the queen at Dêr el-Bâhari, after the design of the architect Sen-Mut.
The tombs which preserve best the figures of the Keftiu are those of Sen-mut and Rekh-ma-ra. That of Sen-mut is the earlier, though only by a generation, or perhaps rather less. He was the architect of Queen Hatshepsut, the man who planned and executed the great colonnaded temple at Deir-el-Bahri, and who set up Hatshepsut's gigantic obelisks.
It is not only indicated by the evidence of the Sen-mut and Rekh-ma-ra tombs, but by the parallelism in the styles of art in the two countries. The art of each remains truly national, but the frescoes of Knossos and Hagia Triada and those of the Eighteenth Dynasty in Egypt are inspired by the same spirit, though in either case the result is modified by national characteristics.
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