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The form and structure of their edifices were modern; the parts were copied from antique models. A want of organic unity and structural sincerity is always the result of those necessities under which a secondary and adapted style must labour; and thus the pseudo-Roman buildings even of the best Renaissance period display faults similar to those of the Italian Gothic.

I have very little knowledge of the historians of the Renaissance or of those prior to the French Revolution. Apart from the chroniclers of individual exploits, such as Lopez de Ayala, Brantome, and the others, they are wholly colourless, and either pseudo-Roman or pseudo-Greek.

Even Machiavelli has a personal, Italian side, which is mocking and incisive and this is all that is worth while in him and he has a pretentious pseudo-Roman side, which is unspeakably tiresome. Generally considered, the more carefully composed and smoothly varnished the history, the duller it will be found; while the more personal revelations it contains, the more engaging.

In this great work, which to be more universally celebrated requires only to be better known to those who do not come within the narrow circle of students, there is evidence that while Titian, after his stay at the Papal court, remained firm as a rock in his style and general principles luckily a Venetian and no pseudo-Roman, his imagination became more intense in its glow, gloomier but grander, than it had been in middle age his horizon altogether vaster.

To this pseudo-Roman and intensely patrician stoic, who had never known privation or injustice towards himself, and scarcely noticed it towards others, the humanitarian, the philanthropic movement, characteristic of the eighteenth century, and which was the strong impulse of the revolution, was absolutely incomprehensible.

Nature had gifted Bramante with calm judgment and refined taste; his sense of the right limitations of the pseudo-Roman style was exquisite, and his feeling for structural symmetry was just.