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Updated: May 21, 2025
Above all Hooft strove, to use his own words, "never to conceal the truth, even were it to the injury of the fatherland"; and the carrying-out of this principle has given to the great prose-epic that he wrote a permanent value apart altogether from its merits as a remarkable literary achievement.
Let him be judged not as a candidate for some Chair of Ancient History in some modern University, but as the greatest writer of the greatest prose-epic in the greatest literature of antiquity. Of his inimitable short stories it is difficult to speak with measured praise; it is dangerous to quote them, they are so perfect that a word added or omitted might spoil them.
Yet we know that no one of the muses of old was assigned to the fostering of prose-fiction, a form of literary endeavor which the elder Greeks did not foresee. If we accept Fielding's contention that the history of 'Tom Jones' must be considered as a prose-epic, we are justified in the belief that the muse of the epic-poetry is not now without fit occupation.
In her encroaching on the domain of the other muses, the prose-epic has annexed far more from her comic and tragic sisters than from any of the other six. An opportunity for a most interesting inquiry awaits the alert scholar who shall undertake to tell the rivalry of the novel and the play, tracing their influence on each other and making a catalog of their mutual borrowings.
The tenser the tragic gloom, the more voluminous these letters would become, the more self-analytical, and at the same time, the more pathetic. If Fielding had selected this story as the basis of a prose-epic we should have a masterly structure, perhaps distorted by an undue insistence upon Romeo's youthful intrigue with Rosaline.
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