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Updated: July 15, 2025
Count Ottaviano, according to his own statement, had come to Siena some months previously, on business connected with his mother's property; the paternal estate being near Orvieto, of which ancient city his father was syndic.
After they were finished, Cristofano remained many days in Florence, assisting the same Vasari in the preparations that were made in the Palace of Messer Ottaviano de' Medici for the nuptials of Duke Alessandro; wherein, among other things, Cristofano executed the coat of arms of the Duchess Margherita of Austria, with the balls, upheld by a most beautiful eagle, with some boys, very well done.
"It is growing dark, and we shall be turned out in a few minutes." He walked across the church, and Count Ottaviano followed him out into the deserted square. "Now," said Wyant, pausing on the steps. The Count, who had regained some measure of self-possession, began to speak in a high key, with an accompaniment of conciliatory gesture. "My dear sir my dear Mr.
Her children and her treasures she had dispatched to Florence that they might be out of danger, retaining of the former only her son Ottaviano, a young man of some twenty years; but, for all that she kept him near her, it is plain that she did not account him worthy of being entrusted with the defence of his tyranny, for it was she, herself, the daughter of the bellicose race of Sforza, who set about the organizing of this.
But, perceiving that his son had a very beautiful genius and was likely to become a better master in painting than he believed himself to be, Ottaviano placed him with Pompeo da Fano, who was very much his friend, but a commonplace painter.
The while that Jacopo was executing this work, Alessandro and Ippolito de' Medici, who were both very young, having been sent to Florence by Pope Clement VII under the care of the Legate, Silvio Passerini, Bishop of Cortona, the Magnificent Ottaviano, to whom the Pope had straitly recommended them, had the portraits of both of them taken by Pontormo, who served him very well, and made them very good likenesses, although he did not much depart from the manner that he had learned from the Germans.
Francesco also executed a most beautiful picture of Our Lady, likewise in oils, which is now in the chamber of Messer Alessandro, the son of M. Ottaviano de' Medici.
Biadi gives it entire; it seems a kind of satire on Rustici's tastes, with perhaps a hit at the government, and shows no lack of wit of rather unrefined style; but the authorship is not proved. Some say Ottaviano de Medici assisted Andrea in it.
He painted, also, the panel of the Company of the Contemplanti, which was preserved in the house of the Magnificent Messer Ottaviano de' Medici, and has now been placed in a chapel of that house, with many ornaments, by his son Messer Alessandro, who holds it very dear in memory of Fra Bartolommeo, and also because he takes vast pleasure in painting.
And this finished, he executed the tazza with a piece of marble brought long before to Castello, together with a large table, also of marble, from the Villa dell'Antella, which M. Ottaviano de' Medici formerly bought from Giuliano Salviati.
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