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The former having left the box during one of the intervals, the latter looked round after awhile and saw Pixis sitting beside him. Nowakowski, thinking Chopin was at his favourite game, clapped Pixis familiarly on the shoulder and said: "Leave off, don't imitate now!" The surprise of Pixis and the subsequent confusion of Nowakowski may be easily imagined.
He has had for followers Liszt, Rubinstein, Mikuli, Zarembski, Nowakowski, Xaver Scharwenka, Saint-Saens, Scholtz, Heller, Nicode, Moriz Moszkowski, Paderewski, Stojowski, Arenski, Leschetizki, the two Wieniawskis, and a whole group of the younger Russians Liadoff, Scriabine and the rest. Even Brahms- -in his F sharp major Sonata and E flat minor Scherzo shows Chopin's influence.
Chopin, replying that he need not put himself to the trouble of going in search of these artists if he wished to make their acquaintance, forthwith sat down at the piano and assumed the attitude, imitated the style of playing, and mimicked the mien and gestures, first of Liszt and then of Pixis. Next evening Chopin and Nowakowski went together to the theatre.
But in his intensest emotions he remained concentrated. Chopin, however, did not always control his temper. Heller remembers seeing him more than once in a passion, and hearing him speak very harshly to Nowakowski. The following story, which Lenz relates in "Die grossen Pianoforte-Virtuosen unserer Zeit," is also to the point.
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