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Updated: May 24, 2025
Celimene is undisputed mistress of the same attribute in the Misanthrope; wiser as a woman than Alceste as man. In Congreve's Way of the World, Millamant overshadows Mirabel, the sprightliest male figure of English comedy. But those two ravishing women, so copious and so choice of speech, who fence with men and pass their guard, are heartless!
But the hysterical rants of Lady Wishfort, the meeting of Witwould and his brother, the country knight's courtship and his subsequent revel, and, above all, the chase and surrender of Millamant, are superior to anything that is to be found in the whole range of English comedy from the civil war downwards. It is quite inexplicable to us that this play should have failed on the stage.
As for Beatrice, she is as perfect a lady, though of a far different age and breeding, as Celimene or Millamant; and a decidedly more perfect woman than could properly or permissibly have trod the stage of Congreve or Moliere. She would have disarranged all the dramatic proprieties and harmonies of the one great school of pure comedy.
Congreve's Way of the World is an exception to our other comedies, his own among them, by virtue of the remarkable brilliancy of the writing, and the figure of Millamant. The comedy has no idea in it, beyond the stale one, that so the world goes; and it concludes with the jaded discovery of a document at a convenient season for the descent of the curtain. A plot was an afterthought with Congreve.
I tried to see her standing beside me, laughing, pretty as a rose, waiting for me to take the last stitch. It got so real that I raised my head to tell my dead child how I was going to knot her ribbons, ... and there was this girl looking at me!" "What, Millamant! a tear, my soul?" cried the theatric Mr. Stagg. Millamant wiped away the tear. "I'll tell you what she said.
And though this line of portrait seemed exhausted by Congreve and Richardson, we will venture to pronounce Louisa a perfect original. It is impossible to describe such a character in the abstract without recollecting Millamant and Lady G. But in reading this most agreeable novel, you scarcely think of either.
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