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"Then swear also that you will go with us willingly and that you will make no attempt to escape, then I will order your bonds to be entirely unloosed," said Macko. "Let it be as you say. I swear! Whither are you going to take me?" "To Mazovia, to Jurand of Spychow." Then Macko himself cut the rope from Arnold's feet, and ordered meat and turnips to be brought.

To the north of the Horiti is Mazovia, and north of Mazovia are the Sarmatians, quite to the Riphaean mountains.

For instance, in the Fantaisie, op. 13, the theme of Kurpinski moves and saddens us; but the composer does not give time for this impression to become durable; he suspends it by means of a long trill, and then suddenly by a few chords and with a brilliant prelude leads us to a popular dance, which makes us mingle with the peasant couples of Mazovia.

The noblemen who arrived with Bronisz of Ciasnoc and other Lithuanians who were present at the prince's court, and who were acquainted with the roads and all passes, were to guide him and the Mazovian knights, from hamlet to hamlet, from city to city and through the silent, immense, deep wilderness which covered the greater part of Mazovia, Lithuania and Zmudz.

He was bound for Augsburg, 400 miles to the west, and he set himself thirty miles a day as his rate of travel. He wore splendid clothes, because he was Stanislaus, the son of John Kostka, Lord of Kostkov, Senator, and Castellan of Zakroczym in the Duchy of Mazovia, Poland.

Absolutely Slavonic, though a local dance of the province of Mazovia, the Mazurek or Mazurka, is written in three-four time, with the usual displaced accent in music of Eastern origin. Brodzinski is quoted as saying that in its primitive form the Mazurek is only a kind of Krakowiak, "less lively, less sautillant."

The plaintive little mazurka of two lines, the seventh prelude, is a mere silhouette of the national dance. Yet in its measures is compressed all Mazovia. Klindworth makes a variant in the fourth bar from the last, a G sharp instead of an F sharp. It is a more piquant climax, perhaps not admissible to the Chopin purist.

It is sprightly and with the lilt, notwithstanding its subtle progressions, of Mazovia. No. 3 in D flat is all animation, brightness and a determination to stay out the dance. The alternate major-minor of the theme is truly Polish. The graceful trio and canorous brilliancy of this dance make it a favored number. The ending is epigrammatic.