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Updated: July 24, 2025


They start, tremble, the love-motive steals into and at last dominates the orchestra, and they fly into one another's arms. The increasing commotion outside and the cheers of the men indicate that King Marke has put out from the shore and is nearing the ship. An aside of Brangaene at this moment is not without significance.

SCENE II. The curtain thrown back discloses the deck of the ship with the crew grouped around Tristan, who is steering, his man Kurwenal reclining near him. The refrain of the sailors' song is again heard. Isolde's eyes are fixed upon Tristan as she begins to the strain of the love-motive accompanied by muted strings: Chosen for me! lost to me! . . . . . Death-devoted head! Death-devoted heart!

The music is of great beauty, but, as I have observed in an earlier chapter, the explanatory parts are too much extended. The King calls upon Tristan to say what is the deep, mysterious cause of such a falling off in his honour. Tristan cannot answer, but the love-motive in its most complete form, as in the opening of the Prelude, replies more clearly than words.

The motive, which has throughout been associated with the metaphor of daylight, is united with the languishing love-motive and with No. 4, of which three motives the following part is chiefly made up. The combination is expressed in Tristan's word, "Todeswonne-Grauen," "the awful joy of death."

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