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Three tenth-century Spanish MSS., two from the Abbey of S. Pedro de Cardeña, one from Silos, happen, by an odd and lucky accident, to be elaborately described in Berganza's España Sagrada; how it was that exactly these books came into Libri's hands it is not likely that we shall discover.

Meanwhile Libri's reputation had been thoroughly blown upon, and he retired from France, and was dead in Italy or elsewhere before his crimes had been atoned for. A great mass of his accumulations was bought from the Ashburnhams by the Italians and is now at Florence. Madame Libri survived, like Madame Fosco, to defend his memory. To return.

Perche sei grande nol sei in tua volia; Tu vedi e gia non credi il tuo valore; Passate gia son tutte gelosie; Tu sei di sasso; non hai piu dolore." As far as Adams could afterwards recall it, this was Libri's reading, but he added that the abbreviations were many and unusual; that the writing was very ancient; and that the word he read as "elleria" in the first line was not Italian at all.

The Paduan School has its fine representation in Mantegna's picture, already referred to; the Brescian, in Moretto's Madonna of S. Clemente; the Veronese, in Girolamo dai Libri's splendid altar piece in San Giorgio Maggiore; the Bergamesque, in Lotto's Madonna of S. Bartolommeo.