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He himself giving garlands and sandal-paste, converses with his beloved Vaish.navas, Gobind taking the drum plays ta-ta-tum tum, Adwaita lightly clashes the cymbals. Hari Das begins the song, Sribas keeps time, Gorang dances at the kirtan celebration. On all sides the Vaish.navas crowding echo "Hari bol," to-morrow will be the great feast.
Bring out the cymbal and drum, set out full pots painted with aloes and sandal-paste: plant plantains, hang on them garlands of flowers, for the Kirtan place joyfully.
The Bengali Kirtan in fact resembles very much the Bhajans and Kathas common in the Mara.tha country, and each poem in length, and often in subject, is similar to the Abhangas of Tukaram and others in that province. The first Pallab contains 27 hymns, of these 8 are by Gobind Das, 8 by Baishnab Das, 3 by Brindaban Das, the rest by minor masters.
Brindaban Das and Parameshwar Das were contemporaries of Chaitanya, the others including Gobind Das, who is perhaps the most voluminous writer of all are subsequent to him. Of the hymns themselves the first five are invocations of Chaitanya and Nityanand, and one is in praise of the ceremony of Kirtan. There is nothing very remarkable in any of them.
To-day consecrate the drum and hang it up, joyfully saith Bansi sound victory! victory!! Having thus concluded the initiatory ceremonies in the lst Pallab, the 2nd Pallab begins the real "Kirtan." It contains 26 hymns by masters who are mostly of comparatively recent date. Of the old masters Gobind Das and Cha.n.di Das alone appear in this Pallab.
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