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I have left myself no space to finish this Pallab, or to make remarks on the peculiarities of the language, which in the older masters would more properly be called old Maithila than Bengali. It is nearly identical with the language still spoken in Tirhut, the ancient Mithili, and in Munger and Bhagalpur, the ancient Magadha, than modern Bengali.
To-day consecrate the drum and hang it up, joyfully saith Bansi sound victory! victory!! Having thus concluded the initiatory ceremonies in the lst Pallab, the 2nd Pallab begins the real "Kirtan." It contains 26 hymns by masters who are mostly of comparatively recent date. Of the old masters Gobind Das and Cha.n.di Das alone appear in this Pallab.
Several performances go on for days till a whole Sakha has been sung through, and I believe it is always customary to go through at least one Pallab at a sitting, however long it may be.
The Bengali Kirtan in fact resembles very much the Bhajans and Kathas common in the Mara.tha country, and each poem in length, and often in subject, is similar to the Abhangas of Tukaram and others in that province. The first Pallab contains 27 hymns, of these 8 are by Gobind Das, 8 by Baishnab Das, 3 by Brindaban Das, the rest by minor masters.
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