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Updated: June 15, 2025
The last line, "And how I suffer...." she almost whispered, sadly prolonging the final word. This romance produced a slighter impression on the audience than Glinka's; but there was a great deal of applause.... Kupfer, in particular, distinguished himself: he brought his hands together in a peculiar manner, in the form of a cask, when he clapped, thereby producing a remarkably sonorous noise.
It is considered Tschaikowsky's most successful opera, sharing with Glinka's "Life of the Tsar" the popularity of Russian opera. In 1881 he was invited to compose an orchestral work for the consecration of the Temple of Christ in Moscow. The "Solemn Overture 1812," Op. 49, was the outcome of this. Later in the year he completed the Second Piano Concerto.
With one or two minor exceptions, successive Russian masters have followed faithfully in Glinka's footsteps. To Borodine, Dargomijsky, Seroff, Balakireff, and Rimsky-Korsakoff a full meed of nationality has been granted. To Rubinstein and Tscháikowski criticism is at present disposed to deny the quality in its most salient features.
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