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Trollope's inimitable clergymen naturally arise to the mind in this connection. But even Mr. Trollope does not confine himself to chronicling small beer. Mr. Crawley's collision with the Bishop's wife, Mr. Melnette dallying in the deserted banquet-room, are typical incidents, epically conceived, fitly embodying a crisis. Or again look at Thackeray.

She sat down in a chair, her elbows on the dressing-table, and let herself go, gorgeously, wholly, epically, as she had been longing to ever since she had first intercepted that magnetic interchange of looks between Marsh and Marise, the day after her arrival, the day of the picnic-supper in that stupid old woman's garden. That was when she had first known that something was up.

Trollope's inimitable clergymen naturally arise to the mind in this connection. But even Mr. Trollope does not confine himself to chronicling small beer. Mr. Crawley's collision with the Bishop's wife, Mr. Melnotte dallying in the deserted banquet-room, are typical incidents, epically conceived, fitly embodying a crisis. Or again look at Thackeray.

There is not one interest on the reef, but two. Just as we recognise Gilliat for the hero, we recognise, as implied by this indifferency of things, this direction of forces to some purpose outside our purposes, yet another character who may almost take rank as the villain of the novel, and the two face up to one another blow for blow, feint for feint, until, in the storm, they fight it epically out, and Gilliat remains the victor; a victor, however, who has still to encounter the octopus.

Drama seeks to present its significance with narrowed intensity, but epic in a large dilatation: the one contracts, the other expatiates. When, therefore, we find drama setting out its significance in such a way as to become epically dilated, we may say that dramatic has grown into epic purpose.

White has of Kansas gives him one kind of distinction if not a different kind. His two longer narratives sweep epically down from the days of settlement to the time when the frontier order disappeared under the pressure of change.

Trollope's inimitable clergymen naturally arise to the mind in this connection. But even Mr. Trollope does not confine himself to chronicling small beer. Mr. Crawley's collision with the Bishop's wife, Mr. Melnotte dallying in the deserted banquet-room, are typical incidents, epically conceived, fitly embodying a crisis. Or again look at Thackeray.

There is not one interest on the reef, but two. Just as we recognise Gilliat for the hero, we recognise, as implied by this indifferency of things, this direction of forces to some purpose outside our purposes, yet another character who may almost take rank as the villain of the novel, and the two face up to one another blow for blow, feint for feint, until, in the storm, they fight it epically out, and Gilliat remains the victor; a victor, however, who has still to encounter the octopus.