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Updated: May 27, 2025


The objection of such phenomena as a mirage, or the tremulous effect produced in tropical regions by the refraction and reflection of light on trees, rocks, and mountains, so well described by Humboldt, is due to ignorance of the laws of nature, and this is in fact an entification of the phenomenon, occasioned by the innate tendency to animation which is proper to the perception.

The constraining power which generates the intentional subjectivity of the phenomenon, and the entification of images, ideas, and numerous normal and abnormal appearances, also unconsciously impels man to project the image into a design, a sculpture, or a monument.

The hallucinations of madness, in its various forms of dementia, idiocy, and dotage, are all, apart from their morbid and organic conditions, derived from the same source which produces myths, dreams, and normal hallucinations; the objective entification of images is due to the innate faculty of the perception, which leads to the immediate personification of any given phenomenon.

These two streams flow from one and the same source, since the entification of phenomena is proper both to myth and science; the former entifies sensations, and the latter ideas, since science by reversion to law and rational conception finally attains to the primitive entity.

Plato's theory was only an ultimate phase of the evolution of the vague and primitive animation of the world, which had passed through fetishism, polytheism, and the worship of the elements of nature, and had reached the entification and subjectivity of ideas, which was also attained by natural science, after passing through its mythical envelopment.

We have thus reduced the primitive origin of myth, of dreams, of all illusions, of normal and abnormal hallucinations, to one unique fact and genesis, to a fundamental principle; that is, to the primitive and innate entification of the phenomenon, to whatever sensation it may be referred.

Entification is now displayed in its nude and native state, and serves to explain the constant mental process, and the true nature of the representations of the intellect.

The subjectivity of which animals and man are spontaneously conscious in every internal and external phenomenon, the subsequent entification of ideas, even after thought has attained to these more rational forms, are the great factors of myth in all its forms, of superstitions, of religions, and also of science.

We have seen that the primitive and universal fact consists in the immediate and spontaneous entification of natural phenomena and of the ideas themselves; and we have resolved this fact into its elements, from which all the generating sources of myth issue, that is, from the immediate effects of the perception.

This relative perfection of a work of art, either in the way the objects stand out, in the varied diffusion of light and shade, in the movement and expression of figures, in the effect of the whole in its details and background, is all heightened and confirmed by the underlying entification of images.

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