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Hence the atmosphere which it breathes and effuses is that of real things, real men and women. It has not the perfume of the distilled and concentrated, but the all but impalpable odor of the open air, the shore, the wood, the hilltop. It aims, not to be a book, but to be a man. Its purpose is to stimulate and arouse, rather than to soothe and satisfy.

So the pagan effuses over nature, gilding with his sentimentality the puddles that the beasts would cough at. And the scientist is interested in efficient causes, seeing nature as an unbroken sequence, an endless uniformity of cause and effect, against whose iron chain the spirit of mankind wages a foredoomed but never ending revolt.

The spirit that animates every page of his book, and that it always effuses, is the spirit of common, universal humanity, humanity apart from creeds, schools, conventions, from all special privileges and refinements, as it is in and of itself in its relations to the whole system of things, in contradistinction to the literature of culture which effuses the spirit of the select and exclusive.

It was no longer a wild, barbaric struggle with our fellowmen, but a venture of faith and recompense, taking us home to the bedtime of a child. The moment when one meets a book and knows, beyond shadow of doubt, that that book must be his not necessarily now, but some time is among the happiest excitements of the spirit. An indescribable virtue effuses from some books.

The recognized poets put into their pages the virtue and quality of the fine gentleman, or of the sensitive, artistic nature: this poet of democracy effuses the atmosphere of fresh, strong Adamic man, man acted upon at first hand by the shows and forces of universal nature. If our poet ever sounds the note of the crude, the loud, the exaggerated, he is false to himself and to his high aims.

How much the mutilation of ancient history has taken away from the beauty of poetical performances, may be conjectured from the light which a lucky commentator sometimes effuses, by the recovery of an incident that had been long forgotten: thus, in the third book of Horace, Juno's denunciations against those that should presume to raise again the walls of Troy, could for many ages please only by splendid images and swelling language, of which no man discovered the use or propriety, till Le Fevre, by showing on what occasion the Ode was written, changed wonder to rational delight.