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Updated: April 30, 2025
The piece was admitted for performance at Fontainebleau; and for the first time the King had the curtain dropped before the end of the play. It was called the "Dramomane" or "Dramaturge." All the characters died of eating poison in a pie.
The piece was admitted for performance at Fontainebleau; and for the first time the King had the curtain dropped before the end of the play. It was called the "Dramomane" or "Dramaturge." All the characters died of eating poison in a pie.
Yet it may be that this reproach, however natural, does the Veiled Being or the Younger Power of our alternative myth a measure of injustice. It may be that the great Dramaturge keeps his plot to himself precisely in order that the interest may be maintained up to the fall of the curtain. It may be that its disclosure would upset the conditions of some vast experiment which he is working out.
The piece was admitted for performance at Fontainebleau; and for the first time the King had the curtain dropped before the end of the play. It was called the "Dramomane" or "Dramaturge." All the characters died of eating poison in a pie.
I was obliged to witness this performance seated by his side, and was astonished to realise that this 'Dramaturge, whom I had hitherto so highly recommended, had now sunk to the most vulgar practices of the theatrical profession.
However, it presents characters well drawn. This species of composition is so easy that the number of drames is considerable; but scarcely any of them are now performed, except Eugenie and La Mere Coupable, by BEAUMARCHAIS, which are frequently represented. I shall not finish this article without reminding you that MERCIER has written so many drames that he has been called Le Dramaturge.
He may become a crowned king, he may be a slave dying in torment. What matters it? The good actor can play either part. All that matters is that he shall act his best, accept the order of the Cosmos and obey the Purpose of the great Dramaturge. The answer seems absolute and unyielding, with no concession to the weakness of the flesh.
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