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Updated: May 29, 2025
Smithson as he leant against the back of Lesbia's chair and talked to her. The two seemed very familiar, laughingly discussing the play and the actors. Smithson knew, or pretended to know, all about the latter. He told Lesbia who made Croizette's gowns the upholsterer who furnished that lovely house of hers in the Bois the sums paid for her horses, her pictures, her diamonds.
The great success of the evening, though, was Croizette's, who was charming as the Marquise de Prie. My success, nevertheless, was assured in the performances which followed, and it became so marked that I was accused of paying for applause. I laughed heartily at this, and never even contradicted the report, as I have a horror of useless words.
The manuscript reads, Berthe advances, pale, convulsed with emotion, the rays of the moon falling on her.... I am pale and I am convulsed. I must have my moon." "It is impossible," roared Perrin. "Mademoiselle Croizette's words: 'You love me, then! and her kiss must have this moonlight. She is playing the Sphinx; that is the chief part in the play, and we must leave her the principal effect."
I wanted to play Camille in On ne badine pas avec l'amour: the role was given to Croizette. I wanted to play Celimene: that role was Croizette's. Perrin was very partial to Croizette. He admired her, and as she was very ambitious, she was most thoughtful and docile, which charmed the authoritative old man.
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