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Updated: May 3, 2025
Balladyce in some chronicle of post-Thackerayan manners, and revived by him in his incomparable way, as who should say, 'What delicious expressions those good bourgeois had! now flourished in second childhood. In truth, Hilary's difficulty with his new book was merely the one of not being able to work at it at all.
Balladyce, because it was so necessary to keep up with what he wrote, Cecilia dropped her gaze to the page before her; and instantly, by uncomfortable chance, not the choice pastures of Mr. Balladyce appeared, where women might browse at leisure, but a vision of the little model.
Balladyce prevented her from moving far, however, and the voice of Mrs. Smallpeace travelled to her ears. "I was talking about that little model. It was so good of you to take such interest in the girl. I wondered whether we could do anything for her." Cecilia's hearing was too excellent to miss the tone of Hilary's reply: "Oh, thank you; I don't think so."
"Politicians and officials are so hopeless, one can't look for anything from them." Cecilia drew herself up. "Oh, do you think so?" she said. "I was just talking to Mr. Balladyce. He says that Art and Literature must be put on a new basis altogether." "Yes," said Cecilia; "really? Is he that funny little man?" "I think he's so monstrously clever." Cecilia answered quickly: "I know I know.
"Poor old chap! he's so rococo...." "There's a new man. "She's very sympathetic. "But the condition of the poor.... "Is that Mr. Balladyce? Oh, really. "It gives you such a feeling of life. "Bourgeois!..." The voice of Mrs. Tallents Smallpeace broke through: "But do please tell me who is that young girl with the young man looking at the picture over there. She's quite charming!"
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