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Nevertheless it is the custom as it was manifested in Christian times that has chief interest for us, because it is only with condemned books of this period that we have any chance of practical acquaintance. Some of these survived the flames, whilst none of antiquity's burning have come down to us.

Antiquity's very self seemed expressed there, on the visionary images of king or patriarch, in the deeply incised marks of character, the hoary hair, the massive proportions, telling of a length of years beyond what is lived now.

Among the works of modern art were pictures signed by Delacroix, Ingres, Decamps, Troyon, Meissonier, Daubigny, etc., and some wonderful miniature statues in marble or bronze, modeled after antiquity's finest originals, stood on their pedestals in the corners of this magnificent museum.

Machiavelli's fault is the Renaissance fault. The Renaissance turned to the past to reconstruct everything, and it copied, save in its architecture, only Antiquity's faults. It became diseased, trying to adjust itself to dead things. Life itself became corrupted; the Renaissance was to a large extent a birth out of degeneration. Machiavelli was a scientist a vivisectionist I should say.

Our forefathers had been educated in that idea, and when they first landed on American shores they believed it. They thought they belonged to somebody, and that they must be loyal to some thief, who could trace his pedigree back to antiquity's most successful robber. It took a long time for them to get that idea out of their heads and hearts.

Antiquity's very self seemed expressed there, on the visionary images of king or patriarch, in the deeply incised marks of character, the hoary hair, the massive proportions, telling of a length of years beyond what is lived now.