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Updated: May 24, 2025
The central niche of the retablo, immediately above the altar-table, is generally occupied by a massive beaten silver effigy, the artistic value of which is unluckily partially concealed beneath a heap of valuable cloths and jewels. But where the silversmith's art is purest and most lavishly pronounced is in the sagrarios.
But at Master Kenton's loud "How now, youngsters" they all were frightened, some ran out headlong, some sneaked out at the little north door, and the place was quiet, but in sad confusion and desolation, the altar-table overthrown, the glass of the windows lying in fragments on the pavement, the benches kicked over.
A smaller pair for use stood on the credence-table. The gold chalice and paten, veiled, stood on the altar-table itself, and above them, behind, rose the cross and two vases of hot-house lilies. Suggesting one of the great shields of beaten gold that King Solomon had made for the Temple of Jerusalem, an alms-dish stood on edge, and leant against the retable to the right of the veiled chalice.
And to everything that appeared, from the golden chalice of the altar-table, once the drinking-cup of evil spirits, to the nodding head on the gallows-hill, the old crone hummed her songs; and the crickets chirped, and the raven croaked from the opposite neighbour's house, and the winding-sheet rolled from the candle. Through the whole spectral world sounded, "death! death!"
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