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Placentia in England raves of her passion for Philidore exactly as Alovisa in Paris, Emanuella in Madrid, or Cleomelia in Bengal expose the raptures and agonies of their passions. The hero of "The Double Marriage" rescues a distressed damsel in the woods outside of Plymouth exactly as one of Ariosto's or Spenser's knights-errant might have done in the fairy country of old romance.

It would be useless to detail the sensational extravagances of the plot in all its ramifications, but the hero's adventures before and after marriage may serve as a fair sample of the whole. D'Elmont, returning to Paris from the French wars, becomes the admiration of both sexes, but especially in the eyes of the rich and noble Alovisa appears a conquest worthy of her powers.

To expose her rival she pretends to yield to the persuasions of her wooer, the Baron D'Espernay, but as a result of a very intricate intrigue both Alovisa and the Baron perish accidentally on the swords of D'Elmont and his brother.

Half senseless with dismay, Amena finds shelter in the house of Alovisa, who, though inwardly triumphant, receives her rival civilly and promises to reconcile her to her father. D'Elmont is so patently glad to be relieved of his fair charge that she demands back her letter, but he by mistake gives her one of Alovisa's, whose handwriting she immediately recognizes.

To an incoherent expression of her passion sent to him in an anonymous letter he pays no attention, having for diversion commenced an intrigue with the lovely Amena. Though Alovisa in a second billet bids him aim at a higher mark, "he had said too many fine things to be lost," and continues his pursuit until Amena's father takes alarm and locks her up.

Before Amena's recovery the Count hastens away to welcome his brother, and when the imprudent girl has been safely lodged in a convent, D'Elmont, moved more by ambition than by love, weds the languishing Alovisa.