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Updated: June 21, 2025
I consequently gave up the idea of having a third concert, and set off once more for Paris in a not very cheerful frame of mind, but with the gift of a vase of Bohemian glass from Mme. Street, Klindworth's daughter whom I have already mentioned. Nevertheless, my stay in Brussels, including a short trip from there to Antwerp, had served to distract my thoughts a little.
The only thing that can be done with the four-hand arrangement is to ask Klindworth to make some corrections in accordance with your instructions, and to have some of the plates newly engraved without mentioning Klindworth's name on the title-page.
In different degrees of tempo, strength and rhythmic accent it should be practised, omitting the thumb and first finger. Mikuli's metronome is 144 to the quarter, Von Bulow's, 114; Klindworth's, the same as Mikuli, and Riemann is 72 to the half, with an alla breve. The fingering in three of these authorities is almost identical. Riemann has ideas of his own, both in the phrasing and figuration.
To him I gave, in the first instance, Klindworth's pianoforte score of the "Valkyrie," and he brought me the first act beautifully written; but his charge for the time employed, moderate enough though I found it, appeared to me so high, that I could not possibly afford the expense from my yearly income.
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