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But, do you know, the statue is positively there now, and no one no one who had the privilege of beholding the first bronze Albrecht Wohlgemuth, Furst von Eppenwelzen-Sarkeld, no one will admit that the second is half worthy of him. I can feel to this day the leap of the heart in my mouth when the statue dismounted.
Gluck; and at once translated this news for the benefit of Frau Wohlgemuth, who murmured, "Ach!" and shook her head. "The fog is even yet in my throat," proceeded the artist, to whom most of the guests were listening. "I can still see nothing but lurid patches of gaslight on a background of solid mephitic fume.
There was Frau Wohlgemuth, a middle-aged lady with severe brows, utilizing spare moments over a German work on Greek sculpture. Certain plates in the book had caught the eye of Mrs.
The princess answered: 'If I could hate, it would be such persons. A sentence that hung in the memory of one knowing himself to be animated by the wildest genius of folly. We drove to the statue of Prince Albrecht Wohlgemuth, overlooking leagues of snow-roofed branches. Again Ottilia reverted to Temple,
Instead of urging that as the ground of his refusal, he declared there were no sculptors to do justice to Prince Albrecht Wohlgemuth, and one could not rely on their effecting a likeness. We have him in the dining-hall; he was strikingly handsome. Afterward he pretended I'm speaking now of the existing Prince Ernest that it would be ages before the statue was completed.
According to Dürer, the period of his apprenticeship to Wohlgemuth was spent profitably, and resulted in large acquisitions of technical skill. The period of his preliminary training being ended, he set forth upon his "Wanderjahre," and travelled extensively. Just what points he visited cannot with certainty be determined.
The princess answered: 'If I could hate, it would be such persons. A sentence that hung in the memory of one knowing himself to be animated by the wildest genius of folly. We drove to the statue of Prince Albrecht Wohlgemuth, overlooking leagues of snow-roofed branches. Again Ottilia reverted to Temple,
The aspect of the whole room is striking, and it is rendered more impressive by the many examples of Dürer’s genius placed within it, as well as of others by his master Wohlgemuth. The woodcuts are framed, and comprise the best examples of both masters; there is also an original drawing on vellum testifying to the minute accuracy of Dürer’s studies.
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