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BORN. DIED. Machiavelli 1469 1527 Nardi 1476 1556 Guicciardini 1482 1540 Nerli 1485 1536 Giannotti 1492 1572 Varchi 1502 1565 Segni 1504 1558 Pitti 1519 1589 Varchi, it is true, had Nardi's History of Florence and Guicciardini's History of Italy before him while he was compiling his History of Florence.
All the Tuscan and Lombardian Ghibellines, who followed the imperial lead, had recourse to Castruccio for help and counsel, and all promised him the governorship of his country, if enabled to recover it with his assistance. Among these exiles were Matteo Guidi, Nardo Scolari, Lapo Uberti, Gerozzo Nardi, and Piero Buonaccorsi, all exiled Florentines and Ghibellines.
Pitti is by far the most brilliant in style, concentrated in expression to the point of epigram, and weighty in judgment. Nardi, though deficient in some of the most attractive characteristics of the historian, is invaluable for sincerity of intention and painstaking accuracy.
At the Villa Nardi we have no sound of wheels, no noise of work or traffic, no suggestion of conflict. I am under the impression that everything that was to have been done has been done. I am, it is true, a little afraid that the Saracens will come here again, and carry off more of the nut-brown girls, who lean over the walls, and look down on us from under the boughs.
At Naples, in 1535, he pleaded the cause of Duke Alessandro against the exiles before Charles V. Nardi on this occasion acted as secretary and advocate for Filippo Strozzi and the exiles; his own history was composed in exile at Venice, where he died. Segni was nephew of the Gonfalonier Capponi, and shared the anxieties of the moderate liberals during the siege of Florence.
If I were an antiquarian, I think I should have had Tasso born at the Villa Nardi, where I like best to stay, and where I find traces of many pilgrims from other countries. Here, in a little corner room on the terrace, Mrs.
Generation after generation is content with the same simple life. They have no more idea of the bad way the world is in than bees in their cells. The Villa Nardi hangs over the sea.
In the Church of S. Agostino, in the chapel and on the altar of the Nardi, he painted in fresco some stories of S. Laurence, with marvellous manner and execution.
The chant that was sung in that masquerade, as is the custom, was composed by the above-named Jacopo Nardi, and the first stanza ran thus: Colui che da le leggi alla Natura E i varii stati e secoli dispone, D'ogni bene è cagione; E il mal, quanto permette, al Mondo dura; Onde questa figura Contemplando si vede, Come con certo piede L'un secol dopo l'altro al Mondo viene E muta il bene in male, e 'l male in bene.
Generation after generation is content with the same simple life. They have no more idea of the bad way the world is in than bees in their cells. The Villa Nardi hangs over the sea.
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