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Fight on, death is bether than defeat! Fight on! brave knights! for bright eyes behold your deeds!

She became the mistress of Francis I., and afterwards of his son, Henry II. Her influence over Henry was boundless; even the beauty and wit of Catherine de Medici could not weaken the King's attachment to her. He loaded her with favors, and in 1548 donated to her for life the Duchy of Valentinois. Upon the death of Henry, Madame de Valentinois was banished from the Court by Catherine.

So great a loss is not to be repaired or obliterated by time." And again: "Poor Mme. de La Fayette is now wholly at a loss what to do with herself. The death of M. de La Rochefoucauld has made so terrible a void in her life that she has come to judge better of the value of such a friendship. Every one else will be comforted in the course of time, but she, alas, has nothing to occupy her mind."

After the death of Madame, her faithful friend withdrew more and more from the Court, into the seclusion and quiet of her little band of chosen friends, urged partly by her distaste for Court life and partly by her increasing ill-health.

The Orange party wished the death of the de Witts and had stirred up the populace, which was kept from breaking into the prison only by state troops under the command of Tilly. Mort aux traîtres! cria la compagnie des bourgeois exaspérée. Bah! vous dites toujours la même chose, grommela l'officier, c'est fatigant!

But her society was still much sought after; for a notice of her death in the Mercure galant, tells us that when she could no longer go to the Court, the Court might be said to have come to her.

At the last minute the death sentence was commuted to imprisonment for life and Cornelius was taken directly from the scaffold to the state prison of Loewestein near Dordrecht.

Upon the death of the German Emperor Maximilian in 1519, he became the rival candidate of Charles V. for the imperial crown. Upon his loss of the latter, he attempted an alliance with Henry VIII. of England against the Emperor.

Le Jules César a été représenté, corrigé par Dryden et Davenant, sous le titre de Julius Cæsar, with the death of Brutus, imprimé

The romantic attachment of Don Carlos to her is vividly depicted in Schiller's drama, though it must be borne in mind that Schiller's picture is very far from being an accurate historical representation. Her death took place shortly after that of Don Carlos. "She was," says Brantôme, "the best princess of her time, and was loved by every one.