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Updated: June 2, 2025
Caramba! senor, there is a loudness and rapidness of going and coming in the city of this Nueva York." Mr. Kelley's politeness would not suffer the distinguished Colombian to brave the dangers of the return unaccompanied. At the door of the Hotel Espanol they paused. A little lower down on the opposite side of the street shone the modest illuminated sign of El Refugio. Mr.
"More dan lick him? W'y, yer don't want him killed, does yer?" "No," answered Ditson, hoarsely; "but I want his right arm broken." "Hey?" Down came Buster Kelley's feet from the table, upon which his knuckles fell, and then he arose from the chair, standing in a crouching position, with his hands resting on the table, across which he glared at Roland Ditson. "Hey?" he squawked.
"What have you to fear from me for such a masterly performance! Be assured nobody can appreciate your value and Mr. Kelley's as I do. It is well played all round." It is humiliating to me to confess that I have not the faintest recollection of "Brothers," the play by Coghlan, in which I see by the evidence of an old play-bill that I made my first appearance under Mr. Hare's management.
It received the most glowing encomiums from people of musical culture, and largely enhanced Kelley's musical reputation in its run of something over a year. On its tour Kelley was also the musical conductor, in which capacity he has frequently served elsewhere. Kelley plainly deserves preëminence among American composers for his devotion to, and skill in, the finer sorts of humorous music.
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