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Updated: May 26, 2025


This being done I away to Holborne, about Whetstone's Park, where I never was in my life before, where I understand by my wife's discourse that Deb. is gone, which do trouble me mightily that the poor girle should be in a desperate condition forced to go thereabouts, and there not hearing of any such man as Allbon, with whom my wife said she now was, I to the Strand, and there by sending Drumbleby's boy, my flageolet maker, to Eagle Court, where my wife also by discourse lately let fall that he did lately live, I find that this Dr.

Here, then, there is something of the original Italian colour: in this narrative Shakespeare may well have caught the first glimpse of a composition with nobler proportions; and some artless sketch from his own hand, perhaps, putting together his first impressions, insinuated itself between Whetstone's work and the play as we actually read it.

Within three hundred yards of the station platform, which sloped down at the end like a continuation of the course, the Duke touched old Whetstone's neck with the tips of his fingers.

This story, as it appears in Whetstone's endless comedy, is almost as rough as the roughest episode of actual criminal life.

My conjectures are amply confirmed by Mr. Collier's notices of the intercourse of our players with the Italian actors. Whetstone's Heptameron, in 1582, mentions "The comedians of Ravenna, who are not tied to any written device." In Kyd's Spanish Tragedy the Extemporal Art is described:

Lyly drew examples, anecdotes, and fables which he used as Gascoigne suggested, not only from Heywood, but from the Similia and Adagia, of Erasmus, and from the Emblems of Alciati. So far the moral example is counseled or practised only as a recognized device of rhetoric. It is not transferred to poetic until George Whetstone's Dedication to his Promos and Cassandra.

Cassandra, the original of Isabella in Whetstone's tale, with the purpose of the Roman Lucretia in her mind, yields gracefully enough to the conditions of her brother's safety; and to the lighter reader of Shakespeare there may seem something harshly conceived, or psychologically impossible even, in the suddenness of the change wrought in her, as Claudio welcomes for a moment the chance of life through her compliance with Angelo's will, and he may have a sense here of flagging skill, as in words less finely handled than in the preceding scene.

Whetstone's Dedication was published in 1578, one year before Gosson launched his attack against poetry and poets in his School of Abuse, which was answered by Lodge and Sidney in their Apologies.

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