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James had fled; William of Orange was on the throne; a revolution had happened little favourable to Signor Verrio's religion or political principles.

In nearly every work of Verrio's after this date, it is probable that Laguerre had a hand. He seems to have been an amiable, kindly, simple-minded man, without much self-assertion or any strong opinions of his own.

It is true that we have in it one of the most notable examples of Verrio's decorative achievements, but it is an example which I frankly find unattractive.

Charles was induced to this by seeing a work of Verrio's at Lord Arlington's house at the end of St. James's Park, the site of Buckingham House.

I am not sure, after all, that Verrio's frescoed grand staircase was not in another part of the palace; for I remember that we went from it through an immensely long suite of apartments, beginning with the Guard-chamber. All these rooms are wainscoted with oak, which looks new, being, I believe, of the date of King William's reign.

There is a commendable staunchness in his adherence to the ruined cause: in his abandoning his post of master-gardener, and his refusal to work for the man he regarded as a usurper; though there is something ludicrous in the notion of punishing King William by depriving him of Verrio's art. He did not object, however, to work for the nobility.

For his pieces at Windsor alone he received seven thousand pounds, a sum then sufficient to make a gentleman of moderate wishes perfectly easy for life, a sum greatly exceeding all that Dryden, during a literary life of forty years, obtained from the booksellers. Verrio's assistant and successor, Lewis Laguerre, came from France. The two most celebrated sculptors of that day were also foreigners.

Hans Jordaens' lively fancy and ready pencil induced his critics to affirm of him, 'that his figures seemed to flow from his hand upon the canvas as from a pot-ladle. Certainly, from Verrio's fertility in apologue and allegory, and the rapidity of his execution, it might have been said that he spattered out his works with a mop. Nothing daunted him.

I am not sure, after all, that Verrio's frescoed grand staircase was not in another part of the palace; for I remember that we went from it through an immensely long suite of apartments, beginning with the Guard-chamber. All these rooms are wainscoted with oak, which looks new, being, I believe, of the date of King William's reign.