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Updated: May 14, 2025


On the contrary, the secret rites of the Flute society are performed in the ancestral Flute chamber or home of the oldest woman of the Flute clan. Originally, I believe, the same was true in the case of other ceremonials, and that the kiva was of comparatively recent introduction into Tusayan.

Both of the ruins mentioned differ in their architectural features from characteristic prehistoric Tusayan ruins, for they are circular in form, as are many of the ruins in the middle zone of the pueblo area. With these exceptions there are no circular ruins within the area over which the Hopi lay claim, and it is probable that the accolents of Kintiel were more Zuñi than Hopi in kinship.

Three of the men, representing women, were dressed in Navajo squaw dresses and three of them in Tusayan squaw dresses; they held their arms horizontally to the elbow and the lower arm vertically, and, keeping their feet close together, raised themselves simultaneously on their toes. The dance was begun in single file, the men raising only their right feet to any height and balancing on the left.

Comparatively speaking, it was a large, compact, well-built pueblo, and, from the great piles of débris in the neighborhood, would seem to have been occupied during several generations. The pottery found in the neighborhood is the fine, ancient Tusayan ware, like that of Sikyatki and Shuñopovi.

When properly investigated, in the light of archeology, it ought to present a good picture of Tusayan life before the beginning of the modifications which appear in the modern villages of that isolated province. While I expected to find evidences of Spanish occupancy, I also sought facts bearing on the character of Tusayan life in the seventeenth century.

Cardenas naturally went to Tusayan where Tobar had heard the news, and from there took guides who conducted him to the Grand Canyon. Had the general been in any Hopi town at the time he sent Tobar, and later Cardenas, it is quite impossible to find any cluster of ruins which we can identify as Tusayan in the direction indicated.

The ruin of Fire-house, one of the pueblos where the Kokop people are reputed to have lived before they built Sikyatki, is situated on the periphery of Tusayan. It is built of massive stones and differs from all other ruins in that province in that it is circular in form.

The middle figure represents the stick-swallower forcing the stick down his esophagus, while a second figure holds before him an unknown object. The principal performer is held by a third figure, an attendant, who stands behind him. This instructive pictograph thus illustrates the antiquity of this custom in Tusayan, and would seem to indicate that it was once a part of the Pueblo ritual.

Moreover, after the reconquest of the Rio Grande pueblos, many apostates fled to Tusayan and fanned the fires of hatred against the priests. Walpi received these malcontents, who came in numbers a few years later. Among these arrivals were Tanoan warriors and their families, part of whom were ancestors of the present inhabitants of Hano.

The doorway through this masonry is small below, but broadens above in much the same manner as some of the doorways in Tusayan of today.

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