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Titchener quotes an opinion of Wundt on these investigations, which appears to me thoroughly justified.

Consciousness, says Titchener, resembles a fresco in which the transition between colors is made through all kinds of intermediate stages of light and shade.... The idea of a pen or of an inkwell is not a stable thing clearly pictured like the pen or inkwell itself. More than any one else, William James has insisted on this point in his theory of "fringes" of states of consciousness.

I think it far more likely, especially in view of the fact that the persons concerned were highly educated, that we are concerned with telescoped processes, in which habit has caused a great many intermediate terms to be elided or to be passed over so quickly as to escape observation. * Titchener, op. cit., p. 79.

In reality, they are as unmethodical as possible; they possess none of the special features by which we distinguish the introspections of experimental psychology from the casual introspections of everyday life."* Titchener, of course, dissents from this opinion, but I cannot see that his reasons for dissent are adequate.

A good summary of such work up to the year agog is contained in Titchener's "Lectures on the Experimental Psychology of the Thought Processes" . Three articles in the "Archiv fur die gesammte Psychologie" by Watt,* Messer and Buhler * contain a great deal of the material amassed by the methods which Titchener calls experimental.

But the reason why I found a sexual solution of this was that I started the analysis with a definite Bewnssteinlage, as Titchener would call it, which consisted of a knowledge that I had started for a certain kind of solution, and the whole course of the associations was governed by this.

He would take perhaps half a year's lecture course on the whole field of psychology as covered in the English language by the well-known text-books of James, Wundt, Titchener, Judd, Royce, Calkins, Angell, Baldwin, Kuelpe, Ebbinghaus, Thorndike, Stout, Ziehen, Ladd, and so on.