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They are possibly of popular origin; this, together with their epic or narrative character, would account for the striking absence from them of some of the chief characteristics of Skaldic poetry: the obscuring of the sense by the elaborate interlacing of sentences and the extensive use of kennings or mythological synonyms, and the complication of the metre by such expedients as the conjunction of end-rhyme with alliteration.

Two skalds of repute made biting lampoons upon Thangbrand, whom Thangbrand, by two opportunities that offered, cut down and did to death because of their skaldic quality. Another he killed with his own hand, I know not for what reason.

From other sources we may add other poems which are Eddic, not Skaldic, in style, in which other heroic cycles are represented. The great majority of the poems deal with the favourite story of the Volsungs, which threatens to swamp all the rest; for one hero after another, Burgundian, Hun, Goth, was absorbed into it.

There were religious services gone through: a matins-worship such as there have been few; sternly earnest to the heart of it, and deep as death and eternity, at least on Olaf's own part. For the rest Thormod sang a stave of the fiercest Skaldic poetry that was in him; all the army straightway sang it in chorus with fiery mind.

Two skalds of repute made biting lampoons upon Thangbrand, whom Thangbrand, by two opportunities that offered, cut down and did to death because of their skaldic quality. Another he killed with his own hand, I know not for what reason.