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Updated: May 6, 2025
INA KLOSKING worked night and day upon Siebel, in Gounod's "Faust," and upon the songs that had been added to give weight to the part. She came early to the theater at night, and sat, half dressed, fatigued, and nervous, in her dressing-room. Crash! the first coup d'archet announced the overture, and roused her energy, as if Ithuriel's spear had pricked her.
To be photographed tomorrow morning as Siebel, and in plain dress. Paragraphs in Era, Figaro, Galignani, Inde'pendance Belge, and the leading dailies. Large wood-cuts before leaving Homburg for Paris, London, Vienna, St. Petersburg, and New York." "I'm in your hands," said she, and smiled languidly, to please him.
"Faust," a grand opera in five acts, words by Barbier and Carré, founded upon Goethe's tragedy, was first produced at the Théâtre Lyrique, Paris, March 19, 1859, with the following cast of the principal parts: MARGUERITE Mme. MIOLAN-CARVALHO. SIEBEL Mlle. FAIVRE. FAUST M. BARBOT. VALENTIN M. REGNAL. MEPHISTOPHELES M. BALANQUÉ. MARTHA Mme.
"But," said he, rather hurriedly, "somebody or other told me she had come out at the opera here and made a hit." "What in Siebel?" "I don't know. But I saw large bills out with her name. She made her de'but in Gounod's 'Faust." "It is my Siebel!" cried Zoe, rapturously. "Why, aunt, no wonder Harrington admires her. For my part, I adore her." "You, child! That is quite a different matter."
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