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Updated: May 11, 2025
He was now discovered like Caliban, and tamed, and made vocal, by the strenuous arts of friendship. He also was in the receipt of custom, and a young man of small independent means. To Schulerud and to Due, Ibsen revealed his poetic plans, and he seems to have found in them both sympathizers with his republican enthusiasms and transcendental schemes for the liberation of the peoples.
When Ibsen reached Christiania, in March, 1850, his first act was to seek out his friend Schulerud, who was already a student. For some time he shared the room of Schulerud and his thrifty meals; later on the two friends, in company with Theodor Abildgaard, a young revolutionary journalist, lived in lodgings kept by a certain Mother Saether.
With his own hand, when the first draft was completed, Schulerud made a clean copy of the drama, and in the autumn of 1849 he went to Christiania with the double purpose of placing Catilina at the theatre and securing a publisher for it.
Schulerud received a monthly allowance which was "not enough for one, and starvation for two"; but Ibsen's few dollars soon came to an end, and he seems to have lived on the kindness of Schulerud to their great mutual privation.
Due was the confidant to whom he recited the latter, and one at least of these early pieces survives, set to music by this friend. But to Schulerud a graver secret was intrusted, no less than that in the night hours of 1848-49 there was being composed in the garret over the apothecary's shop a three-act tragedy in blank verse, on the conspiracy of Catiline.
Meanwhile, left alone in Grimstad, since Due was now with Schulerud in Christiania, Ibsen had been busy with many literary projects. One of his poems had already been printed in a Christiania newspaper. The call was overwhelming; he could endure Grimstad and the gallipots no longer.
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