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I hold with the acute Orcadian he with the defenders of the authenticity; the controversy began in smooth, oily, lady-like terms, but is now waxing more sour and eager as we get on it already partakes somewhat of old Scaliger's style.

Here at Leyden he read in the great library, soon to be endowed with Scaliger's books, and saw the room of which Heinsius so nobly said: 'In the very bosom of Eternity among all these illustrious souls I take my seat'; and at Louvain he could only lament the death of Justus Lipsius, whom he regarded as 'the light and the loadstar of wisdom.

I had even learned the Savoyard's dance from my friend Frère Jacques, and sung "Gai Coco" at the same time, like Scaliger's parrot, from whose history Frère Jacques took the idea of teaching me. I did this, it must be acknowledged, with great awkwardness, turning in my toes, and often tumbling backwards in a clumsy and ludicrous way.

Each expert, skilled in one small performance only, was reduced to a minute fraction of a fraction of humanity. If the complaint was legitimate in Scaliger's time, it was better founded half a century ago when Mr. Emerson found cause for it.

The greater part of Scaliger's criticism was worthless, and the opinion of learned Europe weighed overwhelmingly on Cardan's side. Thuanus, who assuredly did not love him, and Naudé, who positively disliked him, subsequently gave testimony in his favour. He did not follow the example of Erasmus, and let Scaliger's abuse go by in silence, but he took the next wisest course.

It was not printed until many years after the deaths of both disputants, and appeared for the first time in a volume of Scaliger's letters and speeches published at Toulouse in 1621, and it was afterwards affixed to the De Vita Propria.