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Updated: May 16, 2025
Now and then, to be sure, we get a different result, as in "Olivia," where all the pathos and character of the "Vicar of Wakefield" are preserved, and the effect of the play depends upon passion and sentiment. But as a rule, we get only the more obvious saliencies, the bones of the novel, fitted in or clothed with stage "business."
We cannot flatter ourselves, therefore, that under equal laws and opportunities we have rubbed out the saliencies of human nature. At a distance the mass of the Russian people seem as monotonous as their steppes and their commune villages, but the Russian novelists find characters in this mass perfectly individualized, and, indeed, give us the impression that all Russians are irregular polygons.
Now and then, to be sure, we get a different result, as in "Olivia," where all the pathos and character of the "Vicar of Wakefield" are preserved, and the effect of the play depends upon passion and sentiment. But as a rule, we get only the more obvious saliencies, the bones of the novel, fitted in or clothed with stage "business."
We cannot flatter ourselves, therefore, that under equal laws and opportunities we have rubbed out the saliencies of human nature. At a distance the mass of the Russian people seem as monotonous as their steppes and their commune villages, but the Russian novelists find characters in this mass perfectly individualized, and, indeed, give us the impression that all Russians are irregular polygons.
Thus shooting forth his tongue on every side, Heine is shown "in action" by this little cluster of "scintillations," and the whole book is the shortest definition of him possible, for it makes the saliencies of his character jut out within a close compass.
He was on the edge of the Plain: below him stretched away a great half-ring of cultivated country, its saliencies the square tower of a church jutting over a group of elms, or the glint of light on a stream, or pale haystacks dotted round the disorderly yard of a grange the tillage and the quiet dwellings of close on a thousand years.
Now and then, to be sure, we get a different result, as in "Olivia," where all the pathos and character of the "Vicar of Wakefield" are preserved, and the effect of the play depends upon passion and sentiment. But as a rule, we get only the more obvious saliencies, the bones of the novel, fitted in or clothed with stage "business."
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