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Updated: May 5, 2025
The Saas artist has Tabachetti's Varallo work at his finger-ends, but betrays no acquaintance whatever with Gaudenzio Ferrari, Gio. Ant. Paracca, or Giovanni D'Enrico. Even, moreover, when Tabachetti's work at Varallo is being most obviously drawn from, as in the Journey to Calvary chapel, the Saas version differs materially from that at Varallo, and is in some respects an improvement on it.
It is true the 8th of September is the festival of the Nativity of the Virgin Mary, so that under any circumstances this would be a great day, but the fact that not only the people of Saas, but the whole valley down to Visp, flock to this chapel on the 8th of September, points to the belief that some special act of grace on the part of the Virgin was vouchsafed on this day in connection with this chapel.
He knew the circle of mountains about Saas Fee fairly well: he had been there twice before, and it was fine to get away from the straggling pedestrians into the high, lonely places, and sit and munch sandwiches and talk together and do things together that were just a little difficult and dangerous. And they could talk, they found; and never once, it seemed, did their meaning and intention hitch.
This group, again, bears no analogy to the Salutation chapel at Varallo, in which Tabachetti's share was so small that it cannot be considered as in any way his. It is not to be expected, therefore, that the Saas chapel should follow the Varallo one. The figures, four in number, are pleasing and well arranged. St. Joseph, St. Elizabeth, and St. Zacharias are all talking at once.
It cannot be pretended that any single figure is of extraordinary merit, but amongst them they tell their story with excellent effect. Two, those of St. Joseph and St. The Dispute in the Temple. This subject is not treated at Varallo. Here at Saas there are only six doctors now; whether or no there were originally more cannot be determined. The Agony in the Garden.
Tabachetti had no chapel with this subject at Varallo, and there is no resemblance between the Saas chapel and that by D'Enrico. The figures are no doubt approximately in their original positions, but I have no confidence that I have rearranged them correctly. They were in such confusion when I first saw them that the Rev. E. J. Selwyn and myself determined to rearrange them.
Over and above this, there exists in Saas a tradition, as I was told immediately on my arrival, by an English visitor, that the chapels were built in consequence of a flood, but I have vainly endeavoured to trace this story to an indigenous source.
These considerations have convinced me that the designer of the chapels at Saas is none other than Tabachetti himself, who, as has been now conclusively shown, was a native of Dinant, in Belgium.
Tabachetti had no chapel with this subject at Varallo, and there is no resemblance between the Saas chapel and that by D'Enrico. The figures are no doubt approximately in their original positions, but I have no confidence that I have rearranged them correctly. They were in such confusion when I first saw them that the Rev. E. J. Selwyn and myself determined to rearrange them.
I find additional reason for thinking the chapels owe their origin to the inundation of 9th September, 1589, in the fact that the 8th of September is made a day of pilgrimage to the Saas-Fee chapels throughout the whole valley of Saas.
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