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Updated: June 14, 2025
Nature, whenever undesecrated by the vulgarity of man, is ever sublimely simple. Everdingen and Ruysdael, on the contrary, studied nature in her simple northern garb, and the sombre pines of the former, the cheerful woods of the latter, will ever be attractive, like pictures of a much-loved home, to the German. Bakhuysen's sea-pieces and storms are faithful representations of the Baltic.
The floor was polished to the degree of danger, and on the walls hung a portrait by Van Dycke, another, of a young girl, by Richardson, a landscape by the Dutch artist Ruysdael, and a water-colour by Zaccarelli.
Some landscapes by Ruysdael, and some portraits by Murillo, Velasquez, and Titian, were those which I was most able to appreciate; and I see reason for allowing, contrary to my opinion, as expressed a few pages back, that a portrait may preserve some valuable characteristics of the person represented.
"Humph! the peasants in the Tyrol try it on themselves after noticing the effect on the coats of cattle." Doctor Ruysdael started. A recollection of the sleek draught horse flashed upon him. He rose and hastily re-entered the patient's room. In a few moments he returned. "Do you think I could remove her at once to the mountains?" he said gravely.
He stopped and looked at her attentively. "Is anything the matter?" His evident concern sent a warm glow over her chilly frame, and yet the strange sensation remained. "No no!" she stammered. Doctor Ruysdael turned to Hoskins. "Go back and tell Waya I've found her." Libby felt that the doctor only wanted to get rid of his companion, and became awed again. "Has anybody been bothering you?" "No."
Unaccented by a corset, an article she had never known, even the lines of the stiff, unyielding calico had a fashion that was nymph-like and suited her unfettered limbs. Doctor Ruysdael was profoundly moved. Though a philosopher, he was practical. He found himself suddenly confronted not only by a beautiful girl, but a problem!
Some landscapes by Ruysdael, and some portraits by Murillo, Velasquez, and Titian, were those which I was most able to appreciate; and I see reason for allowing, contrary to my opinion, as expressed a few pages back, that a portrait may preserve some valuable characteristics of the person represented.
The floor was polished to the degree of danger, and on the walls hung a portrait by Van Dycke, another, of a young girl, by Richardson, a landscape by the Dutch artist Ruysdael, and a water-colour by Zaccarelli.
The floor was polished to the degree of danger, and on the walls hung a portrait by Van Dycke, another, of a young girl, by Richardson, a landscape by the Dutch artist Ruysdael, and a water-colour by Zaccarelli.
Then I see that they decorated one of their rooms with "a large number of carbon prints of celebrated paintings," "the class picture being the most important and costing in the neighbourhood of $100 this is the hunting scene of Ruysdael...." Also they added to their Museum "manufactured articles from abroad illustrative of the habits and customs of foreigners."
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