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He composed three masses, and the third of them, dedicated to the memory of Pope Marcellus II., was accepted, not only as the rescue of the old school of vocal worship, but also as the final word and ultimate model for future church music. Some years later, at the very height of his glory, Palestrina's heart suffered its final blow.

To me the parterre salon, with its rich furniture, was quite new, and before the maestro himself appeared we looked at his photograph in a circular porcelain frame, on the sides of which were inscribed the names of his works. The ceiling is covered with pictures illustrating scenes out of Palestrina's and Mozart's lives; in the middle of the room stands a Pleyel piano.

I find an interesting example of this custom in the career of a musician, a contemporary of Palestrina's mentioned by Van der Straeten; his name was Ambrosio de Cotes.

But Baini exposes Pitoni's carelessness, proves the existence of Ridolfo and Silla by the inclusion of their works in the father's book, and shows that Doralice was the wife of Palestrina's son Angelo. It being established, then, that Palestrina was married but once, and it being assumed that he was happily married, it is strange to see how this happy marriage came near proving fatal to him.

Expression came into existence with the chord of the dominant seventh from which all modern harmony developed. This invention is attributed to Monteverde. No matter what has been said, however, it occurs in Palestrina's Adoremus.

"Nothing at all, Fraulein." "And what led her to Rome?" "She practised the art of singing, of which she was mistress; but did not cease studying, and made great progress in Rome. I was permitted to instruct her in counterpoint." "And did she appear in public as a singer?" "Yes and no. A distinguished foreign prelate was her patron, and his recommendation opened every door, even the Palestrina's.

But he was able to communicate his enthusiasm; he told them stories of how the ancient choirs used to sing Palestrina's masses without a rehearsal, how the ancient choirs used to compete one against the other, singing music they had never seen against men in the opposite organ loft whom they did not even know.