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Updated: May 11, 2025
Some years later, in 1785, for the scenery of O'Keeffe's Omai, produced at Covent Garden Theatre, the painter furnished the designs, for which he was paid by the manager one thousand pounds, says Mr. J.T. Smith; one hundred pounds, says Mr. O'Keeffe; so stories differ!
We know Lamb to have met Munden from Raymond's Memoirs of Elliston. Cockletop. In O'Keeffe's farce "Modern Antiques." This farce is no longer played, although a skilful hand might, I think, make it attractive to our audiences. Barry Cornwall in his memoir of Lamb has a passage concerning Munden as Cockletop, which helps to support Lamb's praise.
O'Keeffe's fingers played uneasily with her bosom's cross. "No, but I should feel happier about you. It it settles people." "It certainly does," Eileen laughed, and her celebrated ditty, "The Marriage Settlement," flashed upon her. "Oh, dear," and her laugh changed to a sigh. "The marriages I see around me!" "What! Isn't Mrs. Lee Carter happy?" Eileen flushed.
O'Keeffe's face became red as the sun in mist. The cross heaved convulsively on her black silk bosom. "To whom else? You haven't forgotten he wanted to marry me." "No, but he has, I am fearing." "What?" It was now Eileen's turn to open her eyes, and the tears dried on her lashes as she listened. Mrs. O'Keeffe explained, amid the ebb and flow of burning blood, that she had waited in vain for Mr.
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