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Updated: May 18, 2025
So he devises an artifice to get the ring. He will get a hero-race to work for him and recover the ring and the treasures. Siegmund and Sieglinda are twin children of this new race. Sieglinda is carried off as a child and is forced into marriage with Hunding. Siegmund comes, and unknowingly breaks the law of marriage, but wins Nothung, the great sword, and a bride.
Sieglinda tells how when she, full of grief, was wedded to Hunding, a grey old man, with one eye, clad in a blue cloak, came in uninvited, drove the sword Nothung into the ash-tree, and said that it should belong to the hero strong enough to draw it out. From all parts warriors came, but none could move it.
Finally, when Nothung is ready for action there is a coruscation of light from the orchestra as the Sword theme, which, of course, we have heard long before, and the Siegfried-the-hunter theme are blared out and the anvil is split. Many other points must be left until later. I wish for the present to give a notion of Wagner's powers at the time he wrote the earlier portions of Siegfried.
We see him pumping the forge-bellows while the steel melts, pouring the metal into a mould, cooling the mould in a water-trough, breaking the plaster, heating the sword, hammering the red blade, cooling it again, riveting the handle, polishing the whole, all of which actions his song celebrates: "Nothung! Nothung! Notable sword! To powder I have ground your sharp magnificence.
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