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Philip Moeller has achieved distinction in another field, that of elegant burlesque, of sublimated caricature. Moeller's latest contribution to the stage. The author has thrown a very high light on the sentimental adventures of the writing lady of the early Nineteenth Century, has indeed advised us and convinced us that they were somewhat ridiculous.
He acted as the father of the regiment, and, like Poul Moeller's artist, encouraged the efficient, and said hard words to the slighty, praising or blaming unceasingly, chatted Danish to the soldiers, Low German to the cook, High German to the little housekeeper at the castle, and called the attention of his guests to the perfect order and cleanliness of the stables.
Hopwood's pieces, indeed, have already been transported to foreign climes and there seems every reason for belief that Mr. Moeller's comedy will meet a similarly happy fate. November 29, 1917. De Senectute Cantorum "All'et
The shield should be placed on the upper surface of the slide, so that the hole will cover the point where the light from the mirror enters the glass. With this illuminator Moeller's balsam test-plate is resolved with ease, with suitable objectives. Diatoms mounted dry are shown in a manner far surpassing that by the usual arrangement of mirror, particularly with large angle dry objectives.
The travelers being desirous of examing the moon carefully during their voyage, in order to facilitate their studies, they took with them Boeer and Moeller's excellent Mappa Selenographica, a masterpiece of patience and observation, which they hoped would enable them to identify those physical features in the moon, with which they were acquainted.
Orla Lehmann, his patron, was also one of Kristian Moeller's frequent visitors. But whenever he arrived, generally late and the last, the result was always the same.
For to entertain kindly sentiments for the man who had dared to profane Oehlenschlaeger was like siding with Loki against Thor. Poul Moeller's Collected Works I had received at my confirmation, and read again and again with such enthusiasm that I almost wore the pages out, and did not skip a line, even of the philosophical parts, which I did not understand at all.
But Hertz's Lyrical Poems, which I read in a borrowed copy, gave me as much pleasure as Poul Moeller's Verses had done. And for a few years, grace and charm, and the perfect control of language and poetic form, were in my estimation the supreme thing until, on entering upon my eighteenth year, a violent reaction took place, and resonance, power and grandeur alone seemed to have value.
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