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The deposition of this personage arrived but with her death, which, followed by many changes, made in particular a difference for the young woman in whom Marcher's expert attention had recognised from the first a dependent with a pride that might ache though it didn't bristle.

What had the man HAD, to make him by the loss of it so bleed and yet live? Something and this reached him with a pang that HE, John Marcher, hadn't; the proof of which was precisely John Marcher's arid end. No passion had ever touched him, for this was what passion meant; he had survived and maundered and pined, but where had been HIS deep ravage?

The week had been warm, the spring was supposed to have begun early, and May Bartram sat, for the first time in the year, without a fire; a fact that, to Marcher's sense, gave the scene of which she formed part a smooth and ultimate look, an air of knowing, in its immaculate order and cold meaningless cheer, that it would never see a fire again.

That recovery, the first day at Weatherend, had served its purpose well, had given them quite enough; so that they were, to Marcher's sense, no longer hovering about the head-waters of their stream, but had felt their boat pushed sharply off and down the current.

When he had spoken of it as visibly so bad that she was afraid he might find it out, her reply had left the matter too equivocal to be let alone and yet, for Marcher's special sensibility, almost too formidable again to touch.

She was "out of it," to Marcher's vision; her work was over; she communicated with him as across some gulf or from some island of rest that she had already reached, and it made him feel strangely abandoned.

It was strangely drugged, but it throbbed; at the touch it began to bleed. And the touch, in the event, was the face of a fellow-mortal. This face, one grey afternoon when the leaves were thick in the alleys, looked into Marcher's own, at the cemetery, with an expression like the cut of a blade. He felt it, that is, so deep down that he winced at the steady thrust.

Marcher's theory that these were elements in contact with which he himself revived, had suffered, on this occasion, it may be granted, a marked, an excessive check. The autumn day was dire for him as none had recently been, and he rested with a heaviness he had not yet known on the low stone table that bore May Bartram's name.