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We got again and again the irrepressible work of art, but what did he get, poor man, who wanted something so different? There were likewise odder questions than this in the matter, phenomena more curious and mysteries more puzzling, which often for sympathy if not for illumination I intimately discussed with Mrs. Limbert.

There was the difficulty that inspired, the difficulty of The Major Key to wit, which it was after all base to sacrifice to the turning of somersaults for pennies. These convictions Ray Limbert beguiled his fresh wait by blandly entertaining: not indeed, I think, that the failure of his attempt to be chatty didn't leave him slightly humiliated.

I fairly bounded in my place. "Then it may do?" Mrs. Highmore looked bewildered. "Why so, if he finds it too dull?" "Dull? Ralph Limbert? He's as fine as a needle!" "It comes to the same thing he won't penetrate leather. Mr. Bousefield had counted on something that would, on something that would have a wider acceptance. Ray says he wants iron pegs."

It was Upstairs that the thunder gathered, that Mrs. Stannace kept her accounts and her state, that Mrs. Limbert had her babies and her headaches, that the bells for ever jangled at the maids, that everything imperative in short took place everything that he had somehow, pen in hand, to meet and dispose of in the little room on the garden-level.

He didn't wish attention strikingly called to his second manner; it was to operate insidiously; people were to be left to believe they had discovered it long ago. "Ralph Limbert? Why, when did we ever live without him?" that's what he wanted them to say. Besides, they hated manners let sleeping dogs lie. His understanding with Mr.